THE MARBLE HALL
Did Mozart Really Play at Mirabell? The Marble Hall's Story
A mistress's palace, a Belvedere architect, a great fire, and a prodigy at the keyboard — the true history of the room you sit in for the concert.
See Mirabell concerts on GetYourGuide ↗A palace built for a mistress
Mirabell exists because of a scandal. Around 1606, the powerful Prince-Archbishop Wolf Dietrich von Raitenau built the palace — then called Schloss Altenau — for his mistress Salome Alt and the many children they had together, in open defiance of his office. When his successor Markus Sittikus took power in 1612 he expelled Salome Alt and renamed the palace Mirabell, from the Italian for 'beautiful' or 'wonderful'. The Marble Hall was the ceremonial and banqueting room at its heart, and it has been the setting for grand Salzburg occasions ever since.
Shaped by the architect of the Belvedere
The hall you sit in today owes its Baroque splendour to the comprehensive rebuild of 1721–27, carried out to plans by Johann Lukas von Hildebrandt — the architect of Vienna's Belvedere palace. That pedigree shows: the marble pillars, the gilded stucco and the cherub statuary are the work of one of the great Baroque designers, which is why the concert societies and the tourism board can reasonably call it one of the most beautiful concert halls in the world. The City of Salzburg, which has owned the palace since 1866 and uses it as the town hall, also uses the room for weddings.
The fire that spared the hall
In 1818 a great fire swept through Salzburg and damaged Mirabell Palace. The restoration that followed gave the exterior its more sober Neoclassical look and cost the building much of its original Baroque character — but the Marble Hall survived the flames. That survival is why it stands today as one of the finest intact examples of Salzburg Baroque, and why a concert here is a concert in a genuinely historic room rather than a reconstruction.
Where the boy Mozart performed
The Mozart connection is specific and documented, not marketing. Leopold Mozart brought his prodigy children — Wolfgang and his older sister Nannerl — to perform in this hall for the prince-archbishop's court,. So when a chamber ensemble plays Mozart in the Marble Hall today, it is doing so in a space where a Mozart genuinely made music — which is exactly what separates this concert from the many Salzburg evenings that merely borrow his name.
A society founded in 1992
The Salzburger Konzertgesellschaft, the concert society behind the series, was founded in 1992 and began with Sunday matinees in the Marble Hall. The Salzburger Konzertgesellschaft was founded in 1992 and began with Sunday matinees in the Marble Hall; the society puts the series at about 300 chamber concerts a year. The hall's Baroque form comes from the rebuild of 1721 to 1727, so you hear chamber music in a room of the era it was written for.